“I'll prove mine honour and mine honesty
Against thee presently, if thou darest
stand.” – Comedy of Errors (5.1. 1453-1455)
We’ve done
many great – if frustrating – exercises that work on movement, breathing, and team-building
in our intern ensemble. And many that require working together and thinking
quickly.
One of the
most memorable ones was with three balls. In this exercise, we got in a circle
and tossed Ball 1 stating as the ball traveled to another person in the circle our
Name with a positive adjective with the same beginning letter or sound as our name,
along with our Hometown and Hobby. Meanwhile, we were kicking Ball 2 stating the
name of our first crush as it went to the person next to us, and bouncing Ball 3
with the name of our favorite fruit to another person. At times, one person had
to manage all three balls at once.
Less
memorable were the lines that I had to bring in today.
On Day 1,
Tim and Doug asked me if I knew any verse from any of Will’s plays because I
was going to need it. I searched my memory but came up mostly with one-liners
mostly like “To be or not to be, that is the question” and “Out, out damn spot”
or “Luke, I am your father” (okay, so that last one’s not right, but the
relationship seems Shakespearean, no?).
I finally settled
on Iago’s soliloquy when he reveals his villainous “double knavery” plot
against Othello and Cassio. It was the only one I remembered for more than a
couple of lines. (Actually I remembered 5.) Our homework was to memorize 12-14
lines of verse. I knew I had some work ahead of me. I spent a couple hours at
my kitchen table committing each line to memory. I practiced it over and over
in the car today on the 75-minute ride to Skidmore.
When I got
there, Doug made us recite one line at a time while walking across the room, then
taking a deep breath and turning 90 degrees before walking the next line. And I
thought the 3 Ball Exercise was difficult. If I had been chewing gum while I
was walking, breathing, turning and reciting, I might not have been able to
remember any of the lines this time.
“When you
practice your lines, don’t do them sitting down. That’s not the way you’re going
to perform them,” Doug advised. Great. Now
you tell me.
But I have
to let that go. One of my goals is to live the lines, not just memorize them. And
today’s theme is Release.
We begin in
a different studio with mats on the floor. After stretching, we partner up and
have to give each other a massage. My partner is Tommy. We’re encouraged to
make sounds to let our partner know that we appreciate this. Feels a bit weird,
but it works on communicating with your partner, works on breathing instead of
holding your breath, and it adds to the release.
We then work
with something called the Fitzmaurice Technique. This is a vocal technique
developed by Catherine Fitzmaurice that deals with destructuring and restructuring.
A couple of the interns had done some work with this technique before. It was
completely new to me, and I had looked forward to learning more about voice
because that is the least developed tool in my teaching arsenal.
Tim gave us
a copy of an American Theatre article
explaining the technique. I was surprised to find more prizes for the Teacher Me
in the article. “It is primarily about getting rid of what’s familiar, what is
habitual, what makes logical sense, what other people are asking you to do. And
the restructuring is putting things back together from a more aware place,
coming back to a very strong sense of focus, intention, functionality and
structure in the work – but in a way that is simple, healthy and effective,
while remaining organic.” I love that. It’s exactly what I do with my students
with the Index Card Test (see previous
post entitled All’s Well That Begins Well).
Fortunately,
we didn’t have to do anything more with our lines today. (That’s the Student Me
talking there, if you couldn’t tell). That work will begin tomorrow. Breathe.
You can see the full blog of my experiences
this summer on the Saratoga Shakespeare Company website at www.saratogashakespeare.com and on my own Out of the Centrifuge blog at
www.outofthecentrifuge.blogspot.com.
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