Friday, October 19, 2012

50 Shades of Red


From: Me
Subject: Why?
Date: October 19 2012 12:30 EST
To: My darling Risse

“Why did I ever agree to do this?”

The question spilled out of me as I talked to you this morning about my looming hour-long presentation for my state English conference.

You know I have presented here before, once as part of a group in a writing workshop setting, once as part of a dual lesson presentation linked thematically with another teacher, and last year my first time solo-ing. And I – like you – “present” every day in front of a group of demanding high school juniors and seniors. But the ante is upped when you’re in front of your peers, even if they’re strangers.

“How do I look? Do I have my copies of my packet packed? Do I have my extra paper and markers? Is my opening strong enough? What about the closing? How risky/risqué should I get, with the title of my presentation referencing the very non-English curriculum book 50 Shades of Grey?” And a little irrational Sally Field voice stirs in the back of my mind, “Will they really like me?”

I should have waited until I had my answer.

The presentation was called “50 Shades of Love: Exploring the Lost Genre of Letter Writing.” It was an appeal to teachers to think about teaching a universal theme that is often overlooked: love. And to use a genre that is becoming antiquated: letter writing. The 50 Shades reference was at first just a creative hook, something I always appreciate in choosing presentations to attend, and one you warned me against. But it became a link that I used after reading the book, at your urging, before the conference.

The presentation was admittedly shaky at parts. Perhaps it wasn’t the best strategy to approach an unknown audience by comparing the theme of the book to the total control that administrators expect us to have in the classroom, nor re-reading Christian Grey’s rules for a sexual relationship substituting “Student” every time it said “Submissive” and “Teacher” when it said “Dominant.” Granted, I took out all of the sexual references in it, but still it seemed a good idea at the time. (Example: “The Student will obey any instructions given by the Teacher immediately without hesitation or reservation and in an expeditious manner.”) I can almost see you rolling your eyes at me. It was a risk, I admit, especially with people who don’t know me or how to take me.

Thinking silver lining, however, I was able to bring it around and get the group interaction and discussion going as I had planned as my major goal. And getting participants to write a love letter, or at least a note of appreciation. (I even wrote one myself, for you.)

So, back to the question. “Why did I ever agree to do this?”

I asked another presenter the question to help get an answer. She said she did it as a condition of getting a $500 mini-grant. “Did you get a grant?” she asked.

“No.”

She continued that another possible reason was that we enjoy sharing with fellow English teachers and pre-service teachers something that we’ve taught that worked.

“I never taught this lesson before.”

So still no answer, but I’m glad I asked the question. Because it got me to continue the inquiry that began the first thing this morning, and find my own answer. When the pressure was off.

I did the presentation because I want people to look at things differently. It’s been my major theme with my students for years. You can’t settle for things as they always have been, because times change and you need to be adaptable to any change, I say.

So the way that I should have framed it, to both the veteran teachers and the pre-service teachers, is this:

     I want you to look at what you do. And I want you to look at what the state and federal      
     government mandate that you do. And I want you to put that all aside, because I want to talk to 
     you about looking at yourself, and having your students look at themselves, in a different way.

     When is the last time you explained to someone that you love them? When is the last time that 
     you put it in writing? What has happened to the “love” letter? What has happened to the art 
     of written romance?

     With most people choosing to express their feelings in an email, or tweet, or text message, or 
     sext-message, what are we doing as teachers to teach students about expressing themselves 
     properly, elegantly, in dealing with this most basic of human emotions? What are we having 
     them read to show role models in this universal theme -- Romeo and Juliet? What are we having 
     them write that is as motivating as the expression of love?

     And so in my presentation I give you historical and fictional love letters, from people like Abigail 
     Adams and Macbeth, who really knew how to express their feelings to “My Dearest Friend” 
     and “my dearest partner of greatness.” I give you a guiding structure for the love letter. But most 
     of all, I give you the time here today to write to your significant other, or someone who has had a 
     big influence on you, or someone who has made a difference in your life. And I implore you to 
     give them this letter. And get your students to write and send their letters of love and/or 
     appreciation. Writing doesn’t have to be an assignment, it can be a gift.

That’s what I should have said, if only I had been less concerned with the anxiety of doing what I thought I had to and focused more on what I really wanted to share. And maybe it’s the new reality all teachers face every day in education with the new standards and assessments.

So before I get back to checking how my sub did -- and in this case I do mean by substitute, not Submissive:) -- or get back to lesson planning, or grading, or cleaning the house, or all the million other things that are tangled up in everyday life as a professional, a husband and a father, let me make sure I take my own advice.

Here, Risse, is my gift to you:

When I first saw you smile, I was enticed.
When you held my hand, unexpectedly,
I was entranced.
But when you said “I do,” I was utterly
ridiculously
exquisitely
head-over-heels
happy.

Laters, baby.


Tuesday, July 31, 2012

I'll Take Generational Movies for Fun, Alex


“We're all pretty bizarre. Some of us are just better at hiding it, that's all.”
                                                                              -- Andrew (Emilio Estevez) in The Breakfast Club
 ________________________________________________________________________________


A student last year gave me a homework assignment.

“You know what you should do? If you really want to get to understand us, you should watch our movies,” this high school senior said.

“Which movies?”

At this point, he rattled off a list of about three or four movies. Some of them I’d actually heard of. “You know what, I’ll bring some in for you.”

A couple days later, he came in with a nondescript brown plastic bag (perfect once I saw the movies). I opened it to find my homework: Superbad (2007), Harold and Kumar Escape from Guantanamo Bay (2008), Anchorman (2004), a standup comedy video from Eddie Griffin, Friday After Next (2002) and How High (2001). Imagine the look on my wife’s face coming into the living room during one of the racier sex/drug scenes from How High. “I’m doing homework, I swear.”

What a great assignment. Fun. But also an exercise in thematic development, and reflection.

I responded with a thanks, and a list of movies from my teenage years. “If you really want to get to understand me …” type of thing. Quid pro quo.

It was tougher than I thought. The easy route was to take the most popular movies of the day: Animal House, Blues Brothers, The Terminator. But those were little reflection on teenage life. (Animal House is the closest but that was really about college in the 1960s rather than high school in the early ‘80s.) I began my list quickly with Fast Times at Ridgemont High (1982) and The Breakfast Club (1985), but then stumbled several minutes before recalling Ferris Bueller’s Day Off (1986), Risky Business (1983) and Revenge of the Nerds (1984).

My wife – a fellow English teacher whom I also gave the assignment – said it was interesting because you’d get different lists depending upon the individual’s gender and geography. (She grew up on Long Island suburbia while I was raised in Idaho farm country.) Fast Times didn’t even reach her radar; she went more John Hughes with Sixteen Candles and The Breakfast Club.

A great follow up assignment would be a comparison piece between different people and/or different generations. For example, I was somewhat disheartened after viewing my student’s list, and thinking how this young inner-city African American boy and his peers were being inundated by distorted Hollywood messages about sex, drugs, profanity and a general lackadaisical – if not antagonist – view toward school and work.

Then I looked at my own list. Spicoli, Guido the Killer Pimp, “Bueller, Bueller, Bueller…?”

Maybe we’re not so different. Good lesson.


ALTERNATE LESSON:  For further work in thematic development and reflection, have students list their favorite songs and analyze what that says about their times or their personality.
###

Saturday, July 28, 2012

Dialogue with my Blog


‘How come everyone who writes about school reform works some place other than a school?’



BLOG:  Welcome.

ME:  Forgive me, Blog, for I have not written. It has been … 278 days since my last post.
B:  Do you feel you need forgiveness?

M:  Of course.
B:  Why have you not written?

M:  I was busy.
B:  With what?

M:  With teaching. With grading. With differentiating instruction. With diagnosing at-risk kids. With trying to motivate middle-of-the-road kids. With making sure I don’t ignore the “top” students. With creating lesson plans in a new format mandated by the state in our school restructuring plan. With digesting all of the requirements and changes coming from Race to the Top, Common Core Learning Standards, APPR, SLOs. With spending hours justifying, no proving, that I am an “effective” teacher. Oh, and with being a parent, of course.
B:  My, you were busy. With all of that, why did you ever go into teaching?

M:  I remember I was thinking about a career change, what I could do, and all of my goals fit education.
B:  What were your goals?

M:  For as long as I can remember, I wanted to be able to share what I knew, to make people laugh, and to be a positive role model.
B:  And have you done that?

M:  Other than making people laugh. My jokes tend to meet with blank stares. What do you think: “Don’t read Crime and Punishment too quickly, scholars. Just because it’s Dostoevsky doesn’t mean you have to go Russian through it.”
B:  

M:  Sorry.
B:  Do you agree that all these school reform efforts are making school better?

M:  No. I disagree with many of them, at least the way they are implemented at the local school level.
B:  So what do you do to change things?

M:  I try to meet them as best as I can, and to adapt the ones I can to the needs of my kids. (And ignore the ones I can’t. Shh, don’t tell.) It’s all about the kids in front of me.
B:  Okay, why do you write?

M:  Because I like it. It’s my passion. It’s my release.
B:  And what do you like to write about?

M:  “About life, education and the amazing interconnectedness of everything in the Beginner’s Mind.”
B:  Really?

M:  Okay, about whatever’s happening to me, whatever I’m thinking about.
B:  And what are you thinking about?

M:  Usually school. The past year. Successes and failures. Students. Preparing for the coming year and the new students.
B:  You said students twice. Do you make them write?

M:  Of course, I’m an English teacher. I have some in-class assignments and also make them write 20 minutes a night exploring their thoughts in a Writer’s Notebook journal.
B:  And is writing their passion?

M:  Usually not.
B: Do they like to write?

M:  Usually not.
B:  Do you find that they are less busy than you?

M:  Not really. Some of them have crazy schedules, between school, extracurricular activities, work, and family. And many of them have some incredible pressures from friends, family and community. In the past year alone, I faced students who talked about suicide, pregnancy, abortion, dealing with child care, drinking, drugs, sexual relations, divorced parents, parents in jail, parents who were deported… the list goes on.
B:  Wow. And with all that, you still make them spend their time writing? Why?

M:  It’s important. They need to take the time to practice so that they get better at it. I need to get them in the habit of writing beyond one or two short-answer sentences. They need to move past the snap impressions that they make in a few seconds. They need time to explore their thoughts, to explore new and/or difficult thoughts. They are our future. They are the ones who can create the changes we need for a better society. Who knows, maybe one of them could have a scientific discovery, a major medical cure or even an inspirational poem or novel in their future, if only they let themselves explore the workings of their own minds.
B:  And you believe they can create this change with their writing?

M:  Absolutely.
B:  What’s holding them back?

M:  Many of them lack confidence in their own ideas. They don’t see themselves as potential agents for change. They don’t see themselves as writers. I remember the author Neil Gaiman once writing that everyone has ideas, sometimes even the strange ideas that result in imaginative fiction, and the only difference between them and “writers” is that the writer writes down his ideas.
B:  Do you see yourself as a writer?

M:  I’d like to think so.
B:  And do you have confidence in your ideas?

M:  Usually.
B:  And do you see yourself as a potential agent for change?

M:  Yes, but …
B:  I’m sorry to interrupt you, but what makes you different from the people who are making these changes in education? Recall that article in The Voice, in which Joe Check, the teacher/author who heads the Boston Writing Project, discusses the question: “How come almost everyone who writes about school reform works some place other than a school?” He said, and I quote, "In our ongoing national dialogue on school reform, there are few voices from `the bottom' that matter. We are missing the unmediated voice of practitioners who are actually attempting reform, achieving it, failing at it, or partially achieving it and wondering why they haven't done better."

M:  But those guys have the time to think about these issues and write about them. That’s their job. My job is to teach, not tell stories.
B: But Joe Check says it’s not about storytelling, but that well-written narratives about what’s actually happening in the classrooms trying reform “create communities by compelling attention and response. They advance dialogue that makes change possible." Don’t you try reform efforts in your class?

M:  Yes, but …
B:  And do you agree that it’s important to add the voices of practitioners into the mix?

M:  Yes, but ...
B:  And if it’s important, isn’t that something, and I quote, “they need to take time” to do? Like writing, for your students?

M: 
B:  Forgive me, but how long has it been since your last post?

M:  268 days.
B:  As penance, I want you to keep writing, so you can be a positive role model for your students and your fellow teachers on “the bottom.” I want you to publish, and share what you know, what you’re learning, what you’re thinking. I want you to be the change that you want to see. And, heaven forgive me, I want you to make people laugh. But really work on that last one.

M:  No promises.
B:  Okay, I expect to see you tomorrow.

###

Friday, April 20, 2012

Inside the Teenage Brain

Will Smith once said "Parents Just Don't Understand," and scientists now know why. Parade Magazine ran a feature article that delved into the inner workings of the teenage brain and discovered -- surprise -- your brains really are different than those of adults. In fact, the article compares the teenage brain to a Ferrari: "It's sleek, shiny, sexy, and fast, and it corners really well. But it also has really crappy brakes."
 
Read what they have to say at "Inside the Teenage Brain" and post a comment responding to it. Do you really have "crappy brakes"?